Aftermath (issue #3)

YEAR: 1980
CREATED BY: Bobby Colville and some of his mates….
LOCATION: London
SIZE: A4

WHAT’S INSIDE….

"Aftermath" is as good a name as any for a post-punk fanzine and this third issue consists of 14 pages printed single-sided and stapled together in the top left corner. Only 110 copies were made.

It’s full of good stuff, like this rave review (by somebody called Kevin H) of The Fall’s second album “Dragnet”….

The Fall - Dragnet

On the other hand, Bobby’s appraisal of “London Calling” by The Clash is more lukewarm - “not punk enough” seems to be the verdict….

The Clash - London Calling

The Clash - London Calling

Throbbing Gristle’s “20 Jazz Funk Greats” also gets a favourable mention….

Throbbing Gristle - 20 Jazz Funk Greats

Singles reviewed include the excellent "Mind Your Own Business" by Delta 5 ("it grows on you") and "White Mice" by The Mo-Dettes ("I can’t understand the lyrics")….

There’s also a review of a cassette by a band called Furious Baton Charge, which was available by mail order from somebody called “D Quantick”, who could easily have been the marginally famous music and comedy writer David Quantick in his stylish youth….

Furious Baton Charge

Elsewhere the zine’s various contributors moan about the lack of youth programming on British tv back in 1980, encourage their readers to go and see up and coming bands, review a few fanzines (Cobalt Hate, Kill Your Pet Puppy etc) and get very confused by the wonderful first album by Nurse With Wound….

Wasted time....

Alternative Press

Other bands featured include The Assassins and Red Opera (both formed by people associated with the zine), Industrial Muzik and Wasted Youth, plus there are live reviews of The Nips, The Mysterons, Athletico Spizz 80 and The Scars….

I also like the way that Bobby and his gang used a Dymo Label Maker throughout the zine - an item we all had back in the day, that has now been consigned to history’s dumpster.  

Label maker

Label maker

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Vintage Viz - Azox (1985)….

The Clash @ De Montfort Hall, Leicester 16/1/1980 (from S&T fanzine, issue #5, 1980)

The Clash @ De Montfort Hall, Leicester 16/1/1980 (from S&T fanzine, issue #5, 1980)

S&T (issue #5 - “Sound & Techno”)

YEAR: 1980
CREATED BY: Chris Freer, Kev Reverb, Paul Betts, Mike Dawkeye and others….
LOCATION: Leicester
SIZE: A4

WHAT’S INSIDE….

In the late 1970s Chris Freer and Paul Betts started a punk fanzine in Leicester called Terminally Blitzed, which eventually mutated into another fanzine called S&T. They also formed a DIY record label called S&T with Kevin “Reverb” Bayliss and Mike “Dawkeye” Dawkins, who became contributors to the fanzine. Issue #5 of S&T was called “Sound & Techno” but each issue had a different name, always based on the letters “S” and “T” (#4 was called “Smooth & Tight”). The front cover of #5 was simultaneously very modern-looking and very “mod revival”, although fortunately there’s not much evidence of the latter inside the zine….

The authors are generally upbeat about the state of the midlands music scene at the dawn of the 1980s and about the growing influence of S&T in particular - they had recently made appearances on Radio Leicester and Radio Nottingham, the zine was coming out monthly and was being sold in record shops throughout the midlands and even as far away as Rough Trade in London….

As such they included a “London Stories” page in this issue, which mainly consists of a review of a gig that The Jam played at the Rainbow….

London stories

There’s also a report from their Nottingham correspondent Nick Shaw about the scene there. His other notable contribution is a review of a recent gig by the Ramones….

The Ramones

The Ramones

As well as containing local news like the fact that a band called The Cobras had recently changed their name to The Stripes, there’s also a piece called “Life In Leicester” featuring a new tape label called Alternative Capitalists and a new music shop called Street Music, which the S&T collective hoped would play their part in alleviating the "terminal boredom in our area"….

Life in Leicester

Life in Leicester

PIL’s “Metal Box” gets a full page reappraisal to coincide with its re-release as a double album called “Second Edition” after the original pressing (which consisted of three 12” 45rpm records inside a metal 16mm film canister embossed with the band’s logo) sold out. Incidentally, it’s amazing just how many of the greatest albums of all time came out at roughly the same time as Metal Box in 1979 - Unknown Pleasures (Joy Division), Strange Celestial Road (Sun Ra), Live At The Witch Trials (The Fall), Cut (The Slits), Fear Of Music (Talking Heads), 154 (Wire), Y (The Pop Group), Blue Valentine (Tom Waits), Humanity (The Royal Rasses), London Calling (The Clash) - to name but a few….

Public Image Ltd

Speaking of The Clash, there’s a reprint of an ecstatic vintage review of their first gig at Leicester’s De Montfort Hall in May 1977, side by side with a more lukewarm assessment of their performance at the same venue in January 1980….

The Clash

The Clash

The rest of the zine contains more gig and record reviews and is pretty excellent throughout. The S&T gang later contributed to another Leicester fanzine called 0533, after which three of them disappeared off the radar, while Kev Reverb ended up forming a band called Crazyhead, who made one of my favourite records of the 1980s, which was called "What Gives You The Idea That You’re So Amazing Baby?"….

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Will Sergeant of Echo and the Bunnymen (from Bluer Skies fanzine, issue #16, 1987)

Bluer Skies (issue #16)

YEAR: 1987
CREATED BY: Mike Bellwood
LOCATION: Bridlington
SIZE: A5

WHAT’S INSIDE….

Bluer Skies was a fanzine devoted to Echo and the Bunnymen, and this issue came out in December 1987, when the band were well on the way to splitting up.

Although they had released their first album of new material for over three years in 1987 (the eponymous “Echo and the Bunnymen”) it also turned out to be their last featuring the original line-up. Drummer Pete De Freitas had already left the band in 1985 and then rejoined a year later, but singer Ian McCulloch quit in 1988 and De Freitas died in 1989….

As advertised on the front cover, there’s an interview with McCulloch inside that was done prior to the album’s release, in which he seems generally upbeat while also revealing some of the stresses and strains that the Bunnymen were under….

An interview with Ian McCulloch

An interview with Ian McCulloch

Tony Fletcher’s book about the Bunnymen - “Never Stop” - gets a decent review ("a must for all Bunnyfolk") and there are also some generally ecstatic reviews of Bunnymen gigs from the latter half of 1987 - in places like London, Copenhagen, Brighton and Toronto….

Live in Toronto

The rest of the zine is filled up with info about Bunnymen bootlegs, classified ads (mainly for Bunnymen live tapes), some song lyrics, one or two decent pics of the band, a brief chat with Will Sergeant and the Bluer Skies guide to 60s psychedelia….

Back To The Future

Back To The Future

my box of 1980s fanzines
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Vintage Viz - Gnat West (1984)….

New Order @ Deeside Leisure Centre, Queensferry 11/9/1982 (from Merseysound fanzine, issue #26, 1982)

Will Sergeant and Ian McCulloch of Echo and the Bunnymen live at Sefton Park, Liverpool 26/8/1982 (from Merseysound fanzine, issue #26, 1982)